Two Hearts

Photo by Clare Hawley

The Anchor, in association with bAKEHOUSE Theatre Co. presents, TWO HEARTS, by Laura Lethlean, at the Kings Cross Theatre (KXT), in the Kings Cross Hotel. 19th October - 3 November.

TWO HEARTS, is a new Australian play. Three recent Drama School graduates, Katie Cawthorne, Jessica Arthur and Laura Lethlean have formed The Anchor company to produce theatre work.

Over the past year they have developed this 60-minute play, TWO HEARTS. It comes from the conversations of the experiences of past personal relationships and their perception of how important the small details of their relationships became.

Somewhere in a terrace house in Darlington: Girl (Eliza Scott) meets Boy (Damon Manns). Girl and Boy slowly approach a relationship. Girl and Boy have an intense relationship. Girl and Boy dissipate that relationship. Girl and Boy end that relationship. Girl makes a terminal decision. Boy accepts it. The end. This is not an unfamiliar genre in dramatic storytelling literature. It is, then, relatively, a 'boring' plot conceit. Although there is a strange figure (Phoebe Grainer) that 'haunts' the scene that doesn't quite crystallise either in the writing, direction, or performance as to have us understand her existence (function), which may have made TWO HEARTS a less predictable story experience.

The strength of the night is the writing detail from scene to scene from Ms Lethlean - its preoccupations are indeed off-centre, quirky and refreshing, otherwise, it could have been a difficult and long hour in the theatre.

The performances, elicited by Director, Ms Arthur, are adequate for the purpose but lack much depth of personal revelation interrogation from these actors that may have given this relationship story more resonance - the performances are sincere and in the case of Mr Manns, charming, but essentially are soap opera in their conceptual detail in expression.

The Design, by Maya Keys is a simple raised rectangle covered with sea grass matting with the shadow of a fan - that may have had symbolic intentions as it slowed to a stop as the story unwound to its end. The Lighting is, by Martin Kinnane. The Sound Composition and Design, by Jess Dunn.