|Photo by Prudence Upton|
Sydney Theatre Company presents, GRAND HORIZONS, by Bess Wohl, at the Roslyn Packer Theatre, Hickson Rd The Rocks. 7th June - 3rd July.
I thought, as I sat in the Roslyn Packer Theatre on the Opening Night that GRAND HORIZONS, has a set of characters mirroring the highly successful 9 seasons, 210 episodes, television sitcom, EVERYBODY LOVES RAYMOND (1996-2005 : two elder parents who are abusive and abused - in our case 80 year old Nancy (Linda Cropper) and husband Bill (John Bell), two competitive brothers - in our case married, harried Ben (Johnny Nasser) and hysteric gay son Brian (Guy Simon), and a wife - in our case a very pregnant, patient one called Jess (Zindzi Okenyo). The play has two guest spots to enliven the family interactions, in our case a young gay pickup (James Majoos) for our uptight Brian who is taught a few surprising things about his internalised homophobia and the 'girlfriend', 'floozy' (Vanessa Downing), that Bill has met at his Standup comedy class who is in much sympathy with Nancy who has weathered Bill all this time. Ms Wohl's company of characters are familiar and very comfortable to be with.
Nancy and Bill go through the habit/ritual of preparing to eat the evening meal - a choreographic dance for the huma-trons. After chewing, 80-year old Nancy asks for a divorce, Bill chomps, and, calmly, gives it. Divorce ON. The sons are just panicked-spare at the news while Jess offers stock new age guides to calm them down. The big woofs of laughter come from the revelations of 80-year old mum's sex life and her flagrant use of 'potty' language to talk about cunnilingus and the use of clittorial vibrators - "How shocking - how hilarious!" - and Bill's woeful standup comic jokes about 4 nuns and St Peter and curmudgeon sling-off's at everybody around him, at the over-the-top whinings of Brian, the grossly grotesque gay hysteric Drama teacher son, Brian, backed up by a similar overworked lawyer brother, Ben, who feels massively under-appreciated (they could be the Crane brothers from Frasier - two closeted 'straight'/gay men!)
Now, I'm not denying that there are regular laughs going-on, some of the audience were highly entertained. But why they would pay $89 or $67 to watch this down there on Hickson Rd when they can see it free to air every day on Channel 11 Bold, I don't know. Director Jessica Arthur has encouraged an enlarged facsimile of the Broadway Helen Hayes Design, more or less, from Renee Mulder - this retirement apartment in the Grand Horizons building for the STC is sooo large - the floor plan is huge, the height to the ceiling is gigantic and every nook and cranny is visible in the white blaze of light ( bright light for comedy, so they tell me) from Verity Hampson. One wonders the Budget cost for such extravagance - it could probably cover the costs of 5 or 6 independent theatre productions! Ms Arthur has adapted the play to a Sydney location and employed the Australian accent to deliver the American rhythms and word sounds (I assume the author Ms Wohl has given permission, and not just a gross appropriation of another artist's work or culture) and deftly moves the actors across the space and manages the sensational act one curtain with great aplomb.
Linda Cropper is astonishing. Her characterisation is marvellously observed and delivered and seems to be able to make so much TV dialogue dross, a kind of verbal Gold.
Is there not an Australian comedy out there? I recently attended the reading of Joanna Murray-Smith's THE FEMALE OF THE SPECIES, which I don't believe has been professionally seen in Sydney. And if we are going international, I might encourage the curators of our season repertoire at the STC contact the people at the local Outhouse Theatre Company and get a few tips for they seem to read the international reviews and the new pertinent plays: GLORIA, THE FLICK, JOHN, ULSTER AMERICAN, a recent choice. THE SEVEN METHODS OF KILLING KYLIE JENNER, is another contemporary play produced at the Eternity Theatre, Darlinghurst, by The Darlinghurst Theatre Company and Green Door Theatre Company, that seems to have escaped the door keepers at the STC who curate their season/s work
If the Sydney Theatre Company (STC) regards itself as the leading theatre company in Australia, can you imagine its equivalents in London: The National Theatre of Great Britain (or Scotland, for that matter), or The Royal Court, can you imagine these leading National Theatre companies presenting GRAND HORIZONS on their stages?
I meditate - agitate - that QUESTION: ... ... Not bloody likely!
Come on STC, leave this play to the Genesians, the amateur theatre down in Kent St. Become what the present sparks may call AWOKE!
GRAND HORIZONS, is a slick professional production of a play for the comatose.
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